Our system is based on style, logic, facts, and reality but above all else, the Calasanz System’s focuses on common sense. If you study the word “Zen,” it has a broad philosophy and trying to understand it is as difficult as trying to understand the Calasanz System. If you wanted to understand Zen, as compared to the Calasanz System, the key term of knowing what Zen is and the system is “simplicity.” The Calasanz System can be learned by someone in a few simple techniques.
Simplicity has been forgotten, mostly because martial arts have come so far in the world but it still works and is utilized in the Calasanz System. But simplicity can also be infinite, meaning you can spend two lifetimes just trying to learn the basics and the ins and outs of the system. Imagine trying to read and understand thousands of books, if you took one percent of each book you would know the meaning of the entire book. This analysis is very much like the Calasanz System, if you understand a little, you will realize that you understand much more than that.
“Siam does not teach anymore.” This is a phrase you hear in regards to ancient martial arts. Today, those older, more traditional forms have been modified, especially here in America.
Being born with a gift for martial arts, being aware of the fact that when you train in the correct martial art, you can say age does not exist, it is not just that you are working out but rather what kind of work out are you doing. If a grand master comes and sees you training, immediately they would know what kind of physical activity you participate in. If you are at a gym pumping weights, do you know that all you are doing is taking years off your life? There is a way that you can do things differently and turn your training into your best advantage. That is when we say, “Age is just a number, you can beat it.” But how many do it? Let’s makes it clear, aging occurs, you get more mature and you get older, but you can turn it around and even when you are 90 years old, you could be capable of doing anything that a 35, 40, 45 year old can do. First find the facts, find the logic, find the science, and above all else, find common sense to what you are doing.
95% of the population is not doing the right training, including those who do physically demanding work but still are not gaining much. People are going to a fitness centers, or doing martial arts are not adapting training and martial arts into their lives or as their way of life. Here comes the word, “Breathing.” Do you understand the meaning of Breathing? Probably not. If you see a karate instructor, a physically fit person, or a body builder, approach to them and touch their body or muscle, you will notice the tightness and the amount of force wasted, meaning every second that passes they are taking days, months, or years off their life span just because they are doing something that is not helping them at all. This all comes from not breathing properly. The training that they are engaged in is just hurting them but when they are young and working out, they feel good and do not notice.
All of this knowledge as you get older, become more mature, and gain more intelligence, converts into skill, then skill converts into understanding and that is when you find the answer to the phrase “Siam is not teaching anymore.” Watch the movie “Kickboxer” starring Jean Claude Van Damme and you will see a lot. When you, as a teacher of the martial arts, primarily Kung Fu, start understanding the secrets behind it, sometimes you want to pull back from making others feel better, helping them live longer and have a better life. All of this is based on the reality of life and that is, if there is not trust on your part towards these people, then it will not work. Yet, many masters still insist on hiding or preserving their secrets and pulling back from teaching, they do not feel that you deserve it and that is the real truth.
Many believe the Chinese have discovered the secret to a longer life. If you understand the beauty of life, the beauty of a longer life, then you would think otherwise. 10 years extra of life, even one year is great, you would see more of this world than you would have seen had you not lived in whatever extra time you were granted by discovering these secrets to longevity.
The reason that Calasanz became so popular and one of the most respected names in the martial arts world is because in the early 80’s he was working 24 hours a day training his guys to promote him and that is exactly what they did. They promoted and made Calasanz’s name, and not just because they looked good doing it. It was because Calasanz, together with his students, were doing the incredible and still doing it, and he does it better in the present day, in a more organized way.
My main job is to teach students to understand their bodies and themselves. When people come to our martial arts and fitness center, they will take something home with them, knowledge. But above all, it is important to teach students how to do martial arts and exercise without causing them injury. That is my primary focus in my studio.
Since day one, I have met fighters who think they can fight with anyone. When you are a well balanced martial artist, you meet students who are good fighters, but are very tight, meaning their body is not relaxed. It is not just how tight they are but it is their belief of how great a fighter they think they are. Another common problem is that people forget to breathe when fighting. You can be a tough guy when you study at a traditional school, but they will not teach you what is necessary when you actually go up against a real fighter, that in itself is completely different. You cannot trade punches with a boxer who is relaxed when you are not even breathing. You can get away with this when fighting people on the street or at your school, but to step on the ring with a competitor is a different story. Here my school we can help you with relaxation and breathing when you fight.
I had one student that studied martial arts for about six years and nobody taught him how to correctly position and relax his shoulders. It was very difficult but it took me just two hours in a private session to correct this person that was carrying this problem for nearly six years. Do you have any idea how badly you can get hurt when your shoulder rises up and gets tight immediately? Many people, especially women, have the tendency to tense up which lots of times comes from being abused or scared. This is just an example of just one thing we here at Calasanz can help you with among many others.
Calasanz came to the United States with a dream. That dream was realized after watching Bruce Lee in the movie “Enter the Dragon.” Coming to America to make a movie became a goal for Calasanz. To promote his name, he chose over 60 students, most of which were the best street fighters alive. In the early 80s, the best street fighters were here in Norwalk, Connecticut and were citizens there as well. Calasanz devoted his life to the martial arts because he was born with a gift for it. Calasanz is not a regular black belt, he is more than that and he has proved that, not just in America, but as a 14 year old he went to take a class at a karate school and did not return to the school for three months. Why? He noticed too many mistakes but mostly he did not like the excessive brutality. In his mind, he said “There is no reason for this.” Going back to those Calasanz chose to promote, these students were courageous people, but also they were nice human beings. His students were not thugs; they were good people just like Calasanz.
Calasanz’s students that helped promote the system are Darryl Dash (Dash has a separate blog entry dedicated to him), who was the first black belt in the system, John Courtney (the man who really helped Calasanz to succeed and to get where he is today), but there are many others like Mike Gibson, Roger Mayers, Joe Perreira, Reggie Blackwell, Bill Sullivan, James Cassanell, Tyre Stwart, and Patrick Murphy. They will never be forgotten for their contributions. After 1987, when the business was up and running, many students came along that are great friends to Calasanz to this day. He considers them to be as close as family. Some of them deserve to be mentioned: Robert Sapiro, Grace Luppino, Noram Bloom, Mario Contaccesi, Dee Hohn, Angel Llanos, Peter Valis, Chris Schrade, Gerry Manning, David Been, Dennis Grimaldi, Beth Arthur, Renee Fortin, Rod Kathabi, Dave Tartaglia, Jeff Prescott, Adam Colberg, Andrew Dominick, Luis Vega, Wesley Elizabeth Cullin, Bill Smith, Amy Gery, Tom Barcello, Dalila Willian, Jennifer Li, Rebecca Lyon, and of course Jacquie, Ron Lake, and hundreds of others.
Calasanz can only name so many people since there have been so many students over the years, some of them not only learned martial arts from him, but they helped out. Calasanz will always remember them, and he hopes they will always remember him.
Calasanz came to the U.S., he wanted to promote his name. Two days after being here, his name became very popular in Bridgeport,Connecticut, especially at the University of Bridgeport; they could not believe what he was capable of doing. They asked him to put on an event for the freshman students, and soon after that, Calasanz was called upon to put on a show to be seen internationally on TV, called back then, Miss Venus USA. Being there really helped Calasanz to believe that he would become as good as or better than Bruce Lee.
Today, Calasanz is promoting his system that started in 2001, but also the school is also promoting Goju Ryu is his own way and dubbed it Calasanz Goju Ryu. Students or teachers from other styles of Goju Ryu will learn that this system is one of the most practical and realistic styles in the world today.
Calasanz Main style, Goju Ryu, Wing Chun, Cheng Chuang, Chinese boxing, Wing Chun Ground Fighting, General Kickboxing, MMA, Boxing, and Recreational Boxing are the roots of Calasanz Physical Arts.
This is just an idea of how far Calasanz is going with his martial arts system.
What is it about a man like Bruce Lee that has made him a martial arts legend? While the fancy stunts of Jackie Chan and Jet Li provide us with heart stopping entertainment, most of these feats employ the use of trick photography, strings and trampolines. What is so intriguing about Bruce Lee is that the man was real and so were his martial arts. Regardless of who comes and goes at the box office, there will never be another Bruce Lee.
Bruce Lee’s Fighting Method: Basic Training was released by Bruce’s wife, Linda Lee Caldwell, in 1977. During his lifetime, Bruce was hesitant to publish his training material because he wanted to avoid people learning from his books and then misleading the public into believing that were personally trained by him. It is important when reading Basic Training not to get sidetracked by the antiquated training equipment. These photographs were taken in the late 60’s and do not depict what we modern day martial artists are used to by today’s standards. What does require your attention is his training philosophy and the means by which you may improve your overall body conditioning. While following his training guidelines will not turn you into another Bruce Lee, you will improve your skill and fitness level if you put in the effort.
One of the key ingredients to being able to handle yourself on the streets is good physical conditioning. It is also important to master simple, effective strikes that may be accessed during a time where adrenaline is flooding your body and clouding your mind. It is in these moments that simple is best. All the fancy, rehearsed combinations fly out the window. This book prepares you for that reality.
Basic Training wastes no time in getting to the heart of Bruce Lee’s training philosophy. Chapter One launches into the importance of increasing your aerobic endurance and then proceeds to show you how. This is followed by Chapter Two, entitled The On-Guard Position. A detailed discussion of the importance of maintaining a proper on-guard stance also includes an analysis of classical fighting stances and how many of them hinder efficient defensive movement. Correct body alignment and the importance of maintaining proper balance is also addressed in this chapter. Basic Training then logically proceeds to developing proper footwork in Chapter Three. Bruce Lee’s evasion principles are introduced as they show martial artists how to get out of the way of an attack.
The next two chapters look at power and speed and how to achieve both with the use of training equipment. Bruce Lee’s famous one-inch punch is discussed in Chapter 4 and readers are taught that generating such awesome power requires the coordination of everything from the right way to make a fist, to the proper way to pivot your hip. Using the hands and legs to strike objects like air shields, heavy bags, focus mitts and the makiwara is also demonstrated. Speed Training talks about the importance of building lightening speed without giving your technique away to your opponent. Bruce Lee learned about the importance of not “telegraphing” by observing the art of fencing.
Since opening his doors in 1979, Calasanz has sold over 1,000 copies of Basic Training. “This book inspired and helped me realize the depth of Bruce Lee’s skill,” says Calasanz. “He wasn’t a tournament fighter who fought for a fancy plastic trophy. Bruce Lee was someone who could survive on the streets.” Without degrading or upgrading any particular style of martial arts, Bruce Lee trained intelligently, dispensing techniques that were impractical for street survival. Bruce Lee’s methods are useful to any martial arts practitioner regardless of their chosen style and our students are still adhering to his training philosophy in the new millennium.
Basic Training does indeed get to the heart of its title. This classic is easy to understand, logically sequenced and fundamentally sound. Bruce Lee’s legacy lives on because he was …REAL…in all respects.
Most martial artists will tell you that your chances of surviving abduction once an attacker gets you into his car are slim to none. Their advice is to fight for your life because statistics show that the consequences are grim. On Wednesday, July 28, 2004, Larissa del Mar Fiallo, was assaulted by two men who tried to kidnap her in the parking lot of a shopping mall. The incident made international news because Ms. Fiallo is this year’s Miss Dominican Republic. What interested us about the story reported by CNN.com (July 29, 2004) was that Ms. Fiallo was able to escape her attackers “thanks to her knowledge of judo.” She explained how she fought back when the two men tried to get her into their car and how she knocked over the larger one three times. Her attackers fled the scene and an investigation is pending. While Ms. Fiallo suffered deep cuts and bruises to various parts of her body, she survived the attack and was released from the hospital several days later.
Violent crime is on the rise in the Dominican Republica as the country faces one of the “worst economic crises in decades, according to CNN.com. Calasanz was born and raised in this country where he learned about self-defense first hand. His experience did not come from pre-arranged tournaments with competitors wearing padding and subjecting themselves to the rules and regulations of sparring. He learned hand-to-hand combat in an environment where a man is routinely challenged to physically defend him and others.
Calasanz has combined his real life experience and martial arts training into two courses designed to serve the needs of a public interested in fitness and self-defense. “While we teach traditional martial arts as part of our curriculum, if people request it, most want to get into shape and learn how to fight,” says Calasanz. “They don’t want to spend years learning forms or weapons that were used in ancient societies. And they could care less about belts and stripes.” Most of the students who train at Calasanz are busy executives, professionals and homemakers who want a curriculum that emphasizes fitness and self-defense. “Many of my students travel for business and are concerned with their safety in an increasingly uncertain world. They want to be prepared to defend themselves and their loved ones.”
The essence of the Single Blow and Street Survivor Courses is to strike where an attacker is most vulnerable and to get away. Single Blow is our basic course designed for those who wish to learn a simple, effective form of self-defense in a short period of time. Street Survivor is a more complex version of Single Blow, which includes more techniques and technical training. The one feature that both courses have in common is Calasanz’ Body Conditioning System. A defensive blow is useless unless the person delivering it is able to focus his or her power. Calasanz has always believed that the study of self-defense begins with making a connection to your physical body and learning how to use it as a weapon. It is from there that Calasanz and his trained instructors teach you his unique philosophy of counterattacks and how to use them in any situation.
We at Calasanz wish Ms. Fiallo a speedy recovery and commend her for her bravery in the face of extreme danger. She serves as an example to all of us of why we study the martial arts. For those interested in either the Single Blow or Street Survivor Course, contact the school for a personal consultation.
My vow to make a movie in the U.S.caused me to go this far with this film. I should have known to back out when the director could not come up with a script. I never stopped saying to all my students, “I am making a movie.” I gave myself a timetable that by 1994 I must finish this goal in order to move on, otherwise I cannot start anything. I remember Stew Leonard asking me, “Why you don’t take that money and open another school?” and I said, “Stew I must do it, I have spoken too much, now I am forced to do it, it is just ego, but everyone is starting to make faces like Hahn!”
I have come to the conclusion that I do not blame anyone other than myself. It makes me angry and I will never forget as part of this process we owed a person $105,000. This man was not working, he was sick, and owed creditors hundreds of thousands of dollars. He came to work for me on the film and even when I paid him, he still would have had to file bankruptcy and later did. A few years after he filed, he was rebuilding his home in Greenwich. To this day I still find that hard to believe. What makes me the angriest is that the wife of this person told her husband that he would lose money and talks bad about me still. She failed to be an honest person as I paid everyone. Some of the people that received checks asked, “What for? “You lost out with this movie, dummy.“ I kept my word that everyone would be compensated.
This movie turned into the biggest humiliation of my career. This low budget movie went from costing around $250,000 to over $1 million. I could have taken the easy way out and just filed bankruptcy but I chose not to. I could have just as easily gone back to my country, taken a great job, and lived the “good life,” but I chose to stay and do what I know and love and that is teaching martial arts. I knew that 3-4 years down the line, this movie would promote my name regardless if it failed in the past.
Marcello ran the master trailer which was the best part of the movie and a box of the most memorable pictures of me. When Marcello tried to hire someone to work with him on the movie, while interviewing this prospective employee, a man named Andrew had a dog bite him on the ear in Marcello’s apartment, and even after tried to get money from us. That was just another speed bump during this whole movie process. Nothing went the way it was supposed to go. I know now that Marcello did nothing wrong, he felt sad and ashamed that he let me and many others down. I never wanted to blame Marcello because he did so much work on this movie to try to get it right but he lacked the experience. Marcello felt that he made all the mistakes but I feel that the mistakes were all my fault and not his. Marcello’s issues were not having a solid plan and not taking the time to learn his craft.
So many people who believed in what I was doing were let down. I did nothing wrong other than trust those that were my friends, and that is why I believe that I deserve the blame for all that happened during the making of this film. Crossing The Line was a nightmare for me. Marcello has since vanished and we have not heard from him. I would like to thank all my students that stuck by me and showed their support during this time.
CALASANZ PHYSICAL ARTS® evolved out of the martial arts tradition. It is the fastest way to get into shape and learn self-defense. Our system grew out of two programs I established to accommodate students who asked for special training. The first program was primarily used to improve athletic performance, called the YOUNG ATHLETES. Parents who trained with me or heard about my school asked if I could do something to improve their children’s athletic performance. I took the best the martial arts had to offer and combined them in a training system to maximize athletic conditioning and skill in a relatively short time. I worked with athletes specializing in tennis, soccer, football, basketball, ice hockey, dance, gymnastics and baseball to get fast results.
Another component of CALASANZ PHYSICAL ARTS® is the self-defense piece. This came out of a request from law enforcement officers; fire fighters and military personnel who wanted to get into shape and learn hardcore self-defense without having to spend years studying a traditional martial art. These people had no time for belts or tournaments. They had to worry about survival. I devised a one-month intensive to accomplish these goals.
Both programs were so successful that I decided to combine them into one program for the benefit of the general public. CALASANZ PHYSICAL ARTS® is popular because of its ability to get quick results and to keep you interested in your training. In creating this system, I designed a collection of exercises and techniques that focus on developing power, grounding, balance, endurance and flexibility.
There are so many different exercises in the system that boredom is impossible! I have created many variations on the basic exercises…from moving in different directions to working out in a seated or standing position. I love to change up the exercises from time to time to keep your workout fresh and to keep your muscles guessing.
CALASANZ PHYSICAL ARTS® is a great alternative to working out at a gym on machines, free weights or with a personal trainer. It’s a system that gets you into shape, teaches you how to defend yourself and keeps your workout fresh and exciting.
Two years before the movie process, Marcello started writing the script and Richard Venture, a script writer from Hollywood, trained with me. Venture was the first to write this movie for me, he got busy and still gave me a good draft but not enough to make a movie. That is where Marcello came in. Marcello wrote many drafts but none could be used. He said, “Calasanz, the China Town script was redone more than 30 times and that was why it became the best.” He convinced me that nothing was wrong. Many obstacles happened even before starting the movie. For example, I got hurt; it was one of the biggest blows to my career because the injury did not have to happen. It could have been prevented by these people who convinced me that I was safe in the place they brought me to, but they could not help me escape from a demonstration with someone who almost cost me my life and my dream. I built my name by doing demonstrations for people. I never had to hurt anyone and no one hurt me. But on this day my skill was so beyond my opponent’s. I got pushed to stand up and do a demonstration with a chef who was a Thai boxer. I humiliated him so much that he could not take it. The people with me knew that I did not want to participate in any more demos, not until I finished my movie. I built my name by humiliating people, especially street fighters, without hurting them.
As I got to this restaurant, the only thing that I could think of was that I did not want to participate in any demos until after the movie. I already knew that many people were jealous of my skills plus, I had a popular show on Cablevision’s public access channel. The chef was following the Calasanz Show for a long time and recognized me and planned for a demo. His intentions were to humiliate me. In the end he was the one who became the victim of humility without me having to hurt him. The chef set his mind to wanting to hurt me no matter what. He was cooking for us and as I go to sit down, this guy, at close range, delivered a kick so hard to my ankle that I injured my tibia. I tried not to go to any bars or restaurants until the movie was complete and I did anyway. These people who convinced me to go had the also persuaded me to do this demo at the restaurant, all I was really there for was to convince someone to train at my school, but the people with me wanted to see me in action. I am sure they wanted me to prove myself, which was the last thing I needed, by this time I proved myself enough. Someday I will get into the rest of what went on that day at the restaurant.
This injury caused a delay in the making of the movie and lots of money but not compared to the money that Marcello cost me. The day we started filming the movie we did not follow a script, I took my story away from him and he came up with something that was done at the spot. The script was no more and it was mostly improvised. The movie was supposed to be a low budget film and already $350,000 was spent during the first two weeks. By the time the movie was finished over $1 million dollars had been spent and we owed money to everyone. I knew that I would pay up, but the toughest part to take was all the people that we let down, including grocery store owner Stew Leonard who helped us the most. But Coast Entertainment Corporation did not have to file bankruptcy. Everyone, one way or the other got paid. Some were compensated with a membership to my school, some of them received a membership and a cash settlement. Many of the investors came to me and asked why I did that, or that I should close the company. I did not close, but I paid everyone personally.
You should know that in order to pay everyone faster, I came with these ideas. Every time something has gone wrong, I have proved that I can come up with some sort of idea or advertisement in order to recover. I have never been wrong, but 95% of the time, those that I have dealt with let me down. It does not mean that those people did it purposely. Those that know me are aware of my strong personality and loud voice, sometimes I make people angry. Those two things have cost me a great deal. Today, I understand that I overwhelmed some of those that worked with me, including my students that I have always done business with since day one.
In 1987, two students came to my door and signed as private students, their names are John and Marcello and a friendship between us started immediately. Marcello who later became a director of commercials, wanted to do the same for me and he did. This is where Marcello got his start, he did not charge too much money because he needed the experience. He knew that it was my dream to make this movie and we started to collaborate. Marcello and I went to restaurants to talk about the movie, we always talked about the movie, I told him of my dream to make a successful film. I told him countless times that if this movie failed that it would shatter that dream. My father always believed in preventing a bad thing from happening and those words stuck with me. Marcello never had a finished script but I trusted him and he always convinced me by saying something like “Don’t worry, I know what I am doing.”
I thought about this movie for eight years and asked myself all the time, can this young guy direct it? Over the years I had always spent lots of time with various people to discuss business deals to prevent those bad things from happening if I could. I don’t believe in contracts but instead in mutual agreements. I did everything I could in those eight years to prevent any mistakes and I know now that everything I did was taken for granted. “Marcello,” I said time and time again, “This movie determines my success and my career.” We were best friends, such good friends that when he moved to the city he sent me letters to tell me what he was doing, how his life was, and how hard and how much skill he was going to put into my movie.
What I did not know about Marcello was that he was working for one thing, to make a trailer for himself in order to sell himself as a movie director. So much money was wasted on the first attempt at making this movie and Marcello wanted a second attempt at it. I did everything to get more money and gave Marcello a second chance like I always do because I don’t believe in giving up on people. As we started the movie, I opened an account where the money to make the movie would be deposited with the producer and Marcello on that account. The first budget for the movie was gone after two weeks so this was the reason for opening another account. Within two weeks the money was gone. There were checks written to buy products that I never knew about. Two years later, somebody close to the producer came and told me that over $100,000 was taken and I was so trusting and sincere that I believed that these people were just human. Even without knowing the producer, I trusted him, he was Marcello‘s friend. One thing I noticed that when the first budget was gone, the producer felt so bad that he gave me his credit card for to charge $10,000 which I paid him as he finished shooting the movie. That should have told me that something was not right because people do not do that. Did the producer feel bad or did he just not want me to look into where the money had gone?
